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Silent Partners: Artist & Mannequin from Function to Fetish

This exhibition is now in our archive.

For centuries, the mannequin, or lay figure, was little more than a studio tool, a piece of equipment as necessary as easel, pigments and brushes. This major new loan exhibition reveals the multiple purposes it serves - from fixing perspective and painting reflections, to being a support for drapery and costume - and shows how it gradually moved centre stage to become the subject of the painting, photograph or film, eventually becoming a work of art in its own right.

One of the most wide-ranging and ambitious shows ever hosted at the Museum, the exhibition will feature over 180 paintings, drawings, books and photographs as well as fashion dolls, trade catalogues, a series of extraordinary patent documents and videos. There will be paintings and drawings by Cézanne, Poussin, Gainsborough, Millais, Ford Madox Brown, and Degas as well as photographs by and of Surrealist artists such as Man Ray, Hans Bellmer and Salvador Dali; works by Jake and Dinos Chapman show that, even today, artists continue to be drawn to the creative potential unleashed by our artificial Others.

Selected objects

An image of Painting

Painting

M.Add.3

An image of Drawing

Drawing

PD.32-1990

An image of Painting

Painting

PD.11-2012

Audio

Curators and experts behind this exhibition

Associated Galleries

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