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From a religious house in the province of Cordova; with the Spanish Art Gallery, London (Lionel Harris), by 1913, whence it was bought From the Marlay Fund.
Inscriptions/Marks
Position: round St. John's halo Content: IOHAMES APOST
Position: edge of the left-hand shield Content: SAMADORES PVEBLOS
Position: the edge of the shield to the right Content: OVMOA LAOMECESV
signature Position: lower centre Content: An Ses y diego Ses pintores: (see published catalogue for accurate transcription)
Documentation
(2005) Treasures of the Fitzwilliam Museum, London: Scala [page: 16]
Loga, V. von (1913) Archiv für Kunstgeschichte, 1e Lieferung, [comments: pl. 12]
Mayer, A.L. (1913) Geschichte der Spanischen Malerei, [page: 176] [comments: PL. 104]
Pérez, J. Gestoso yPintores Sevillanos Primitivos, Barcelona [page: 136] Source title: Museum (1920) [comments: reproduced, fig. and two details]
Constable, William George (1927) Catalogue of Pictures in the Marlay Bequest, Fitzwilliam Museum, Cambridge, Cambridge (Cambs.): Cambridge University Press [comments: pl. XXV]
Post, Chandler Rathfon (1941) A History of Spanish Painting, Massachusetts: Harvard University Art Museums and Yale University Press [page: 15] [comments: fig. 6]
Ferrari, E.Lafuente (1946) Breve Historia de la Pintura Espanola, [comments: fig. 15]
Nuno, J.A.G. (1958) La Pintura Espanol fuera de Espana, [comments: pl. 58]
Goodison, J.W. (1960) Catalogue of Paintings in the Fitzwilliam Museum, Cambridge, Vol. I, French, German and Spanish, Cambridge (Cambs.) [page: 216-217] [comments: pl. 111]
Accession Number
M.Add.16 (Paintings, Drawings and Prints) (Reference Number: 3050; Input Date: 2000-03-17 / Last Edit: 2011-07-22)