La Grande Guerre
The first seven months of the First World War are dramatically illustrated in the colour lithographs and woodcuts of the series La Grande Guerre.
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Woodcuts of the Japanese Winter
Japanese artists have long responded to an altered world of frozen forms, stilled by a blanket of snow. In woodcuts they used blank paper to convey the purifying beauty of snow in a transformed landscape where even 'the depths of the night became white'.
Portraits by Ottavio Leoni (1578-1630)
The Fitzwilliam Museum's collection includes nearly all of Leoni's portrait prints, which came from the collections of Lord Fitzwilliam (1745-1816) and John Charrington (1856-1939). The exhibition also includes two drawings by Leoni from the Fitzwilliam Museum's collection and five drawings reproduced with the generous permission of the Master, Fellows, and Scholars of Downing College in the University of Cambridge
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Clouds and Myths
Monotypes by Lino Mannocci
An online exploration of a selection of recent works by Lino Mannocci. Produced to accompany the exhibition 'Clouds and Myths: Monotypes by Lino Mannocci' (Tue 9 February 2010 to Sun 9 May 2010).
Lumière: Lithographs by Odilon Redon
This online exhibition features The Fitzwilliam Museum's entire collection of prints by Odilon Redon. Produced to accompany the exhibition 'Lumière: Lithographs by Odilon Redon' (22 September 2009 - 10 January 2010).
Utamaro Books Interactive
Here you can turn the pages of three books from the collection of The Fitzwilliam Museum - The Bird Book, The Insect Book, and The Shell Book - with illustrations designed by the Japanese artist Kitagawa Utamaro to accompany poems on natural themes.
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Anthony Van Dyck
This online exhibition concentrates on the Fitzwilliam Museum's collection of etchings by the Flemish artist Anthony Van Dyck (1599-1641).
This online exhibition forms a survey of the Fitzwilliam Museum's collection of etchings, drypoints and lithographs by the American artist James Abbott McNeill Whistler (1834-1903).
Vive la différence!
The English and French stereotype in satirical prints, 1720-1815