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Tuesday - Saturday: 10:00 - 17:00
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Department Collections

The collection of Applied Arts contains about 30,000 pieces of decorative arts and sculpture from Europe, the Middle East, India and the Far East. These objects were used in the daily activities, and religious rituals of people in those areas, and are evidence for their social customs, beliefs, and taste in art. They illustrate the development of manufacturing techniques, such as weaving, potting and metal-working, and the stylistic changes brought about by the interchange of ideas and skills between different cultures. The main groups of objects are pottery, porcelain and glass, textiles, fans, furniture and lacquerwork; clocks and watches, domestic metalwork, including silver, pewter; jewellery and snuffboxes, armour and weapons, and sculpture in many different materials ranging from ancient Chinese jades to 20th century European bronzes.

There are exceptional collections of English and Continental ceramics largely due to the generous bequests of Dr Glaisher (d.1928) and Dr Shakeshaft (d. 2015), and of glass thanks to Reverend Alfred Valentine Valentine-Richards (d. 1933), Donald Beves (d.1961) and Professor Sir Ivor Batchelor (d. 2005). There are smaller, but choice collections of European arms and armour (much of it bequeathed by J. S. Henderson in 1933); Limoges enamels, English and Continental silver, jewellery and objets de vertu; furniture (including notable English clocks given and bequeathed by J. Prestige); textiles (especially samplers) and fans, mainly the Messel-Rosse and Lennox-Boyd collections. The sculpture collection ranges from medieval ivories to Renaissance bronzes (mainly from the Boscawen collection) to works by contemporary artists, acquired through the generosity of Sir Nicholas and Lady Judith Goodison via The Art Fund. The Department's non-Western holdings include an excellent collection of Islamic rugs, pottery and glass, and from the Far East, it preserves fine examples of Chinese porcelain, bronzes and jade and textiles; Japanese ceramics, lacquer and sword furniture; and thanks to the Gompertz Gift in 1984, an internationally important collection of Korean ceramics.


  • The Glynn Collection of Parian Ware

    The Fitzwilliam Museum has recently been allocated the David Glynn collection of English parian ware statuary, totalling 360 pieces. Parian, a type of bisque porcelain imitating pure white marble from Paros in Greece, was invented in around 1845, and had the advantage over marble in being cheaper and easier to mass reproduce.  In collaboration with the Department of Art History at Birmingham University, the Fitzwilliam will be seeking funding to document and research this collection of national significance. Planned outcomes include a conference and a publication examining the manufacturing processes and social context of 19th-century parian ware, as well as the creation of a teaching collection.

  • Designers and Jewellery 1850-1940: Jewellery and Metalwork from the Fitzwilliam Museum

    The Fitzwilliam Museum contains stunning examples of jewellery and metalwork from the late 19th and early 20th centuries, including important pieces by Arts & Crafts designers such as C.R. Ashbee, Henry Wilson, Gilbert Marks, William Burges and Phoebe Traquair, as well as unique pieces designed and commissioned by the artist Charles de Sousy Ricketts.  Further research is being carried out into this little-known part of the Museum’s collection, resulting in a full-colour publication detailing over 50 key pieces (2018).

  • Michelangelo – A Discovery

    Unsigned and undocumented, yet evidently by a great Renaissance master, the Rothschild bronzes were loaned to the Fitzwilliam Museum from summer 2014 until autumn 2015 and became the centre of a major international, interdisciplinary research project led by Dr Victoria Avery (Keeper, Applied Arts) and Professor Paul Joannides (Emeritus Professor of Art History, University of Cambridge). Visual analysis and circumstantial evidence have permitted the Principal Investigators to propose that they are early works by Michelangelo, datable to c. 1506-08.  A multi-authored volume on the Rothschild bronzes is currently being prepared for publication (spring 2017). 

Online Exhibitions

  • Arming a Knight and his Horse

    On 29 May 2013, the Fitzwilliam Museum hosted its very own Armoury Extravaganza. This public-facing, interactive event sought to explore the human experience of wearing armour, highlighting the importance of fit, form, function and fashion.

  • Treasured Possessions from the Renaissance to the Enlightenment

    A dazzling journey through the decorative arts: from the hand-crafted luxuries of the Renaissance to the first stirrings of mass commerce in the Enlightenment.


Recent Acquisition